The story begins with the assassination of Androgeo, the celebrated Prince of Knossos, in Athens.

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Captured and confined, Princess Ulma and Leida, along with other young women, are transported to the Cretan galleys. The once-proud princesses now find themselves vulnerable and exposed, displayed as symbols of conquest as they are paraded toward their uncertain futures. The fear and despair in their eyes reflect the grim reality that awaits them as they are loaded onto the galley, bound for an unknown life ahead.

Bound to the oars of the galley, Princess Ulma and Leida face a harsh reality of relentless rowing, fatigue, and mistreatment. The physical challenges they endure are matched by the profound distress caused by their captors. This scene illustrates the stark contrast of their situation—once royalty, now forced into servitude under the command of their adversaries.

As the galleys arrive in Crete, the threat of the Minotaur looms large. This beast, a symbol of Crete's ominous power, awaits its next tribute in a secluded den beyond the Labyrinth. The creature is portrayed as a formidable figure, toying with its victims before claiming them. The princesses, along with other captives, confront the chilling prospect of becoming the Minotaur’s next targets, their destinies uncertain in a land shrouded in darkness.